email: isaac.jaimie@gmail.com
Jaimie Isaac is a curator and interdisciplinary artist, Anishinaabe member of Sagkeeng First Nation from from her matriarchal side and is of mixed European British heritage on her patriarchal side.
Isaac is dedicated to amplifying voices and creative colllectivism, making space for underrepresented womxn, IBPOC, LGBTQ2S+ voices. She is currently working on several projects with galleries and organizations in an advising capacity, and on independent curatorial and artistic projects. Isaac has worked to decolonize art and cultural institutions in leadership positions and has mentored emerging curators in the field.
Isaac co-directs ROSEMARY Gallery, an ongoing project with Suzanne Morrissette. She was the Chief Curator at the Art Gallery of Greater Victoria from 2021-2023, where she curated several shows some notably Adorned and the Governor General Awards in the Visual and Media Arts 2021 and Symbiosis (co-curated). She served as the Curator of Contemporary and Indigenous Arts at the Winnipeg Art Gallery for six years. Exhibitions curated at the Winnipeg Art Gallery were Nahdohbii: To Draw Water (an international touring co-curated Triennial), Born In Power, subsist (co-curated), ᐃ (co- curated), Behind Closed Doors, organic, Insurgence Resurgence (co-curated) and Vernon Ah Kee: cantchant, Boarder X (National tour), We Are On Treaty Land, and Quiyuktchigaewin; Making Good, and in her tenure there managed touring shows, initiated many dynamic and sustained partnerships and programming.
Isaac holds a degree in Art History From University of Winnipeg and a Masters of Arts from the University of British Columbia focused on decolonizing gallery/ museum practices.
Artistically, Isaac co-founded The Ephemerals Collective, which was long-listed for the 2017 and 2019 Sobey Art Award. Collectively and independently, she has exhibited and presented work internationally. Jaimie collaborated with an artistic teams on public art sculptures, had solo exhibtions and commissions nationally.
Isaac has lectured internationally, enjoyed curatorial research trips and residencies in Norway, Finland, Italy, New Zealand, Chicago, and New York. With published work, Isaac has contributed to scholarly collections of writing within textbooks and publications, articles and features, exhibition catalogues.
In community, Jaimie was works in serveral capacities in partnership with community. She is an arts advisor for organizations and galleries, currently serves on the advisory committee and boards. Jaimie has been awarded grants from Canada Council, and Manitoba art councils and served on several juries. She is an honouree for Leaders of Tomorrow from the Manitoba Museum 50th Tribute Awards 2020, CBC Future 40 Finalist and the Canadian Museums Association recipient for an outstanding achievement award in exhibitions category with the Boarder X exhibition, 2021.
Bio
CV
Education
2010 MFA (partial), Ontario College of Art and Design: Criticism and Curatorial Program, ON
2009 Arts and Cultural Management Certificate Program, University of Winnipeg Division of Continuing Education, MB
2005 Bachelor of Arts: Art History Major, Theatre Minor, University of Winnipeg, MB
Ongoing Professional Activity
Present Advisor, N’we Jinan (part-time)
Present Co-Director ROSEMARY Gallery
Present Ottawa Public Library, Public Art Project artist collaboration, Ottawa
Present Co-founder of the Ephemerals Collective
Present Board Trustee, Sobey Arts Foundation
Present Indigenous Advisory Circle: The Manitoba Museum
Present Board member, Bordercrossing Magazine
Present Arts consultant, Researcher, Arts Educator/Lecturer, Community arts/workshops
Professional Experience
2023-2024 Curatorial Advisor and Mentor, Art Gallery of Greater Victoria (AGGV), Victoria, BC
2021-2023 Chief Curator, Art Gallery of Greater Victoria (AGGV), Victoria, BC
2015-2021 Curator of Contemporary and Indigenous Arts, Winnipeg Art Gallery
2015-2021 Indigenous Advisory Circle and Commissions Committee: Winnipeg Art Gallery
2022-2023 Curator, Boarder X and Naadohbii: To Draw Water national and international tours
2020/21 Indigenous Advisory Consultant, Master Plan Kapyong Barracks for Treaty 1 Territory, With Scatliff + Miller + Murray
July-Aug.2016 Co-Faculty, Plug In Summer Institute: Wood Land School, Winnipeg, MB
June 2015 Co-host, Co-Producer, Shaw Cable, Indigenous art and culture TV special
2010 Visual Arts Coordinator/Curator – Winnipeg National Event Truth and Reconciliation Commission, Winnipeg, MB
2009 -10 Art Collections Management Deborah Challis Collection, Hobbs and Associates International, Winnipeg, MB
2006-09 Aboriginal Programs and Outreach Manager Arts and Cultural Industries Association of Manitoba (ACI MB), Winnipeg, MB
2001-04 Viewer Relations Liaison/Project Coordinator/Communications Aboriginal Peoples Television Network, Winnipeg, MB
Selected Curatorial Projects
Sept. 2024 “Confluence”, Co-Curated, ROSEMARY Gallery, Winnipeg, MB.
April 2023 “Symbiosis,” Co-Curated, Art Gallery of Greater Victoria
October 2022 “Governor General Award for the Visual and Media Arts 2021, Art Gallery of Greater Victoria
2021-23 “Nahdohbii: To Draw Water,” Bunjilak -Museums Victoria, Melbourne, Australia, Pataka Museum, Wellington, New Zealand (Tri-Nation International Curatorial team)
June 2022 “Adorned,” Art Gallery of Greater Victoria, BC
July 2021 “Nahdohbii:To Draw Water”, Winnipeg Art Gallery
Nov. 2020 “Born In Power,” Winnipeg Art Gallery
Nov. 2019 “ᐃ,” (co-curated) Winnipeg Art Gallery
Nov.-2020 “Subsist,” (co-curated) Winnipeg Art Gallery
Nov. 2018 “Behind Closed Doors,” Winnipeg Art Gallery
2016-2022 “Boarder X,” (National Tour; Winnipeg Art Gallery 2016, Mackenzie Art Gallery 2018, Art Gallery of Alberta 2019,The Rooms 2019, Nanaimo Art Gallery 2020, Squamish Liliwoot Cultural Center 2021, Museum of Vancouver, 2022.)
July 2018 “Woven Together,” Kelowna Art Gallery, BC
April 2018 “organic,” Winnipeg Art Gallery
Sept. 2017 “Insurgence Resurgence,” (co-curated) Winnipeg Art Gallery, MB
May 2017 National Aboriginal Day Live Concerts; Visual Arts Curator, APTN, National
Nov. 2016 “Vernon Ah Kee: Cant Chant,” Winnipeg Art Gallery, MB
July 2016 Co-Faculty, Plug In Summer Institute: Wood Land School, Winnipeg
June 2016 “Quayuktchigaewin:Making Good,” Winnipeg Art Gallery
June 17, 2016 “Making Our Mark: Resilience in Canadian Indigenous Film,” Pathways to Reconciliation Conference, Co-curated, Winnipeg Art Gallery, MB
Nov. 2016 “We Are On Treaty Land,” Winnipeg Art Gallery, MB
May 2015 “Mamoowiang to Make Change”, Art Gallery of South Western Manitoba Gallery, (cocurated)
Sept., 2014 “Re:Trending 2014” Exhibition, The Ephemerals Collective,First Nations University Gallery, Regina, SK
June 21, 2013 “AK Sunrise,” Scott Benesiinabandon projection, Urban Shaman Gallery, MB
2011-2015 “(official denial) trade value in progress,” national tour, curatorial collaboration with artist Leah Decter; engaged actions, presentations, exhibitions: BC, AB, SK, MB, ON, QC, NS
Sept. 2011 “Trending,” The Ephemerals Collective inter-disciplinary exhibition, Gallery 1C03 and Anthropology Ethnographic Collection, The University of Winnipeg, MB
Aug., 2010 “All My Relations,” Linus Woods solo exhibition, Hobbs and Associates Collection, aceartinc., Winnipeg, MB
Selected Written Publications
2022 “The Routledge Companion to Indigenous Art Histories in the United States and Canada; Chapter 20.A Braided Process: Decolonizing, Indigenizing and Self-Determination.”
2022 “Introduction to Determinants of First Nations, Inuit, and Metis Peoples’ Health in Canada,” Chapter 13 Taking Care:nIndigenous Peoples’ Art, Resurgence, and Wellness
June 2020 “Maureen Gruben; Breathing Hole,” Inuit Art Quarterly: Issue 33.2 Water
March 2020 “Becoming Our Future: Global Indigenous Curatorial Practice,” ARP Books (2 chapters)
Winter 2019 “Reformed?,” Feature, C Magazine: Issue 143
Dec., 2018 “Navigating The Land On and Off The Board,” Boarder X Catalogue, Winnipeg Art Gallery
Summer 2018 “Dee Barsey,” essay, Art + Wonder, Issue 5 Summer 2018 – What is called Abstract?
July 2018 “Woven Together,” essay, Kelowna Art Gallery exhibition website
May 2018 “generation future,” essay, Tsēmā Igharas’ future generations catalogue ,Artspace, ONT
March 2018 “Shards,” exhibition review, Border Crossings Magazine: Issue 145
Dec. 2017 “Reverberations, Vibrations, Echoes that Invigorate the Stone Fortress,”co-written Insurgence Resurgence catalogue
Winter 2018 “On the land, on the body, on and off the walls,” Cmagazine 136: Contemporary Art and Criticism: Inventory
May 2017 “The story of Canada told by the ever-irreverent Miss Chief Eagle Testickle,” WIOT Magazine website, Montreal, QC
Nov.,2016 “In Dialogue. Scott Benesiinaabandan’s waabana’iwewin (exhibition),” PUBLIC Art Culture +Ideas Indigenous Art New Media and the Digital Journal: Issue 54
July 2015 “Billy Jacking: Jordan Bennett,” catalogue essay, Galley 2 Folio, Grand Forks, BC
May 2015 “Reflections on Unsettling Narratives of Denial,” The Land We Are Now: Writers and Artists Unsettle the Politics of Reconciliation, Arbeiter Ring Press, MB (with Leah Decter)
Sept., 2012 “(Official Denial) Trade Value in Progress: Unsettling Narratives,” essay, West Coast Line 74, Reconcile This!, Vancouver, BC (with Leah Decter)
Jan., 2011 “On The Contrary,” essay, UnSacred Catalogue, University of Winnipeg Gallery 1C03
Jan., 2011 “Woods’ Close Encounters,” essay, Close Encounters Catalogue, Plug In Editions
Selected Public Presentations
March 2024 Auntie Up Podcast Political Art with Christi Belbourt, produced by Kim Wheeler
Oct. 2023 #wip Podcast, Symbiosis Exhibition in conversation with Rande Cook, Diane Borstao, AGGV
April 2022 38th Annual Marjorie Ward Lecture, “Inherited Legacies,” St John’s College, MB
April 2022 Visiting Artist Lecture, Department of Visual Arts, University of Victoria, BC
April 2021 Indigenizing the (Art) Museum: Gerald McMaster in Conversation Onsite Gallery and Wapatah Center for Indigenous Visual Knowledge
March 2020 Panelist, AABAAKWAD, 2020 NIIRIN, Biennale of Sydney, AUS (canceled covid pandemic)
Sept.2019 Speaker, International Curator Exchange, Decolonial Methods, Chicago Institute of Art, IL
June 2019 Panelist, Distinctive Features in Arctic Art, Arctic Arts Summit, Finland, EU
May 2019 Keynote Speaker, Emerging Arts Professionals Conference, New Zealand
May 2019 Plenary Speaker, International Indigenous Curators, Museums Conference, New Zealand
May 2019 Panelist, Decolonizing Technologies, Reprogramming Education, HASTAC 2019, BC
April 2019 Moderator, After Art School, Now What?, UBCO, BC
Jan.,2019 Panelist, Indigenous Birthing Screening, MacEwan University, Ociciwan Collective, AB
Jan.,2019 Panelist, Mothering Spaces symposium, Mitchell art Gallery, MacEwan University, AB
Mar.2018 Panelist, Fulbright Canada, Canada, the United States, and Indigenous Peoples: Sovereignty, Sustainability, and Reconciliation,” University of Hawaii at Manoa Canada Colloquium
Nov.2018 Presenter, Nature It’s Complicated, Nature Talks, Nature Conservatory of Canada, AB & MB
Oct.,2018 Guest Lecturer, Approaches to Indigenous Art Histories, OCAD, ONT
Sept.,2018 Panelist, Street Art Activism, Synonym Art Consultation, Wall-to-Wall Mural, MB
July 2018 Moderator, Woven Together panel, Kelowna Art Gallery, BC
July 2018 Presenter, Indigenous Curatorial Practice, UBCO Summer Institute Residency, Kelowna, BC
June 2018 Panelist, Listen Witness Transmit, Independent Media Arts Alliance and NIMAC
May 2018 Panelist, Knowledge & Networks II, Jarislowsky Institute for Studies in Canadian Art
April 2018 Crits, Tough Love, Mentoring Artists for Women’s Art
Feb. 2018 Panelist, Indigenous Curation Now, Aboriginal Curatorial Collective gathering, Brandon, MB
Feb. 2018 Presenter, 10x10x20 Winnipeg Design Community, Nejmark Architect, WPG, MB
Feb. 2018 Panelist, Decolonizing Institutions, New Music Festival, MB
Dec.,2017 Panelist, IndigeFem and The Future, The Future Imaginary Symposium, WPG
Nov., 2017 Panelist, Cultural Appropriation and the Arts, Manitoba Opera
Oct. 2017 Moderator, Building Resilient Communities through the Arts, National Arts Center, WPG
Sept., 2017 Facilitator, Indigenous Curation; For Whom, By Whom; Primary Colours, Victoria BC
May 2017 Panelist, Indigenous Writers Discuss Cultural Appropriation with Rosanna Deerchild, CBC
April 2017 Guest lecturer, Indigenous Curatorial Practice, University of Manitoba, Arch./Faculty
March 2017 Guest lecturer, Indigenizing and Decolonizing, University of Manitoba School of Art
Feb. 2017 Panelist, Unraveling the braids of colonialism, gender and the body, University of Winnipeg
Nov. 2016 Spotlight Presenter: Professional Native Indian Artists Inc., The Winnipeg Effect Symposium, The Center for Contemporary Canadian Art
Oct. 2016 Panelist, Seeds of Reconciliation, GenNext: Our City Summit!, United Way, MB
May 2016 Panelist, Boarder X, NAISA Annual Conference, University of Hawai’i, USA
May 2016 Presenter, Affirming Our Presence, Walrus Talks, Winnipeg Art Gallery, MB
April 2016 Presenter, Platform Active Research Lecture Series, Platform Gallery, MB
Oct. 2014 Moderator, Mentorship: Role and Responsibilities, Aboriginal Curatorial Collective IAKWE:IAHRE Colloquium, University of Concordia, Montreal, PQ
Oct. 2013. Panelist, In the Balance: Indigeneity, Performance, Globalization conference,” London, UK
July 2013 Presenter, Indigenous Artists in 100 Masters, Winnipeg Art Gallery, MB
May 2012 Panelist, Objects of Affections: Towards a Materiology of Emotions, Conference, Princeton University New Jersey , USA
Mar., 2012 Presenter, CBC Scene and Heard event, Park Theatre, Winnipeg, MB
Selected Press | Critical Writing
Jan. 30, 2023 Galleries West “Jaimie Isaac, Brings to Light” by Lindsay Inglis
Apr 20, 2023 Capital Daily AGGV newest exhibition on mushrooms includes a slice of Fairy Creek, Symbiosis
Oct.,13 2022 Times Colonist “Art Gallery of Greater Victoria hosts exhibition for Governor General Awards”
Dec.,27 2021 Galleries West, “Decolonizing the Art Museum,” Interview with Melanie Scott
Aug., 2021 Times Colonist “New Chief Curator at the AGGV”
Dec.,2019 CBC Exhibtionists, Boarder X at The Rooms, with Amanda Paris
Sept.,2019 CBC Unreserved, “Uncovering the complicated history of blankets in Indigenous communities,” with Rosanna Deerchild
June 18, 2019 Canadian Art Magazine, “Reflections on an Art Project about Indigenous Mothering,” by Franchesca Hebert-Spence
Nov,.2019 Globe and Mail, “Winnipeg Art Gallery reveals plans for inaugural Indigenous biennial.”
January 2019 Mothering Spaces, exhibition catalogue, Curated by Becca Taylor, Mitchell Art Gallery
Winter 2018 Bordercrossings Magazine, “Woven Together,” by Gary Pearson
2018 Exhibition Notes: Entering the Landscape, Texts by Jenifer Papararo, Sarah Nesbitt, Sherry Farrell Racette, Plug In ICA
2018 Isolated Landscapes: Video by Prairie Women (1984-2009), Curated by Kathy Rae Huffman, Video Pool media art center
Summer 2018 Canadian Art, “Our Languages Live Within Us,” by Lindsay Nixon
Spring 2018 Inuit Art Quarterly, “Insurgence/Resurgence,” by Krista Ulujuk Zawadski
Spring 2018 Bordercrossings Magazine, “Insurgence/Resurgence,” by Alison Gillmor
Dec.,2017 “Isolating Landscapes,” catalogue Video Pool, “The Ephemerals,” by Jennifer Smith
Sept.,24, 2017 CBC Unreserved, “Insurgence resurgence challenges conception…,” with Rosanna Deerchild
Sept. 22, 2017 Winnipeg Free Press, “Shaking the foundations,” review by Jen Zoratti
Summer 2017 Inuit Art Quarterly, Boarder X review by Jenny Western
Jan. 2017 CBC Q, Boarder X explores the intersections between Indigenous culture and boarding culture
Feb.2017 The Kit Magazine, “Women We Love: Jaimie Isaac Turns Boarding Into High Art,” by Veronica Saroli
Dec.2016 Winnipeg Free Press, “Secrets, skating and sharing; Top exhibitions of 2016 made emotional mark,” by Steven Leyden Cochrane
Dec.2016 Metro News, “#94, Manitoba’s 100 most fascinating people,” Ace Burpee
Dec.2016 Border Crossings Magazine, “Stoke Signals,” by Robert Enright
Dec.2016 Canadian Art, “Art in 2016: A View From Winnipeg,” by Alexsis Kinloch
Nov.24 2016 Winnipeg Free Press, “Knocking it out of the (skate) park,” by Steven Leyden Cochrane
Nov.24 2016 Canadian Art Feature, “On Board Culture and Rule Breaking,” by Bryne McLaughlin
Nov.21 2016 Galleries West, “Boarder Art catches a Wave in Winnipeg,” by Sarah Swan
Aug.4, 2016 Uptown, “Seeing the Good,” Winnipeg Free Press, Steven Leyden Cochrane
Nov 2015 Uptown, “Summing up 2015’s Most Striking Exhibitions: The Bold and Beautiful,”
Winnipeg Free Press, Steven Leyden Cochrane
Dec.1 2015 The Winnipeg Free Press front page, “Redefining Boundries,” by Alan Small
Nov. 2015 Uptown, “Sideshows play to WAG Strengths”, Winnipeg Free Press, Steven Leyden Cochrane
June 30,2015 Akimbo – Akimblog: “Mammo’wiiang to Make Change at the Art Gallery of Southwestern Manitoba, Brandon,” by Steven Leyden Cochrane
2014 Journal of Art History, vol. XXXV:1, “official denial; trade value in progress,’ cover art.
F/W 2014 Studio: Craft and Design in Canada, “Embroidered in Controversy,” by Melanie Urau
Dec.2011 Fuse Magazine, “(Official Denial) Trade Value in Progress,” by Nahed Mansour
Selected Research Residencies and Lectures Experience
2025 Just Waters Artist-in-Residence, Centre for Human Rights Research, University of Manitoba
2022 Scholar in Residence, Seven Oaks School Division
2019 International Curatorial Research/Finland and Norway, invited by Frame Contemporary, Finland and Office for Contemporary Art Norway
2019 International Curator Exchange, Chicago Expo, Chicago Institute of Art, IL
2019 Research Honolulu Biennial - Hawaii Contemporary, Hawaii
2017 Canada Council Indigenous Curatorial Delegation, Venice Biennale
2013/14 Research Assistant, Artist Residency, University of British Columbia, Kelowna, BC
2012 Research Assistant, Indigenous Media Arts Archive National Project, Kelowna,BC UBCO, Center for Indigenous New Media, Kelowna, BC
2010 Teaching Assistant, Art History (Lecturer, Marker) Ontario College of Art and Design, Toronto, Ontario
Awards
2021 Canadian Museums Association, Outstanding Achievement for Exhibitions; Boarder X
2020 CBC Future 40 Finalist Manitoba
2020 Leaders of Tomorrow Honouree, Manitoba Museum Tribute Gala
2020 Indigenous 360 - Create Grant, Manitoba Arts Council
2019 Long-listed - Sobey Art Award- The Ephemerals
2018 Innovation of the Year Award, Winnipeg Tourism Awards of Distinction
2017 Nominated, Making a Difference Award, Winnipeg Arts Council Mayors Awards
2017 Long-listed - Sobey Art Award- The Ephemerals
2015-17 Aboriginal Curator in Residence, Winnipeg Art Gallery, Canada Council for the Arts
2013/14 Aboriginal Creative Development Grant, Manitoba Arts Council
2013/14 New Artist in Media Art fund, Video Pool Inc.
2013 Professional Development Grant, Winnipeg Arts Council
2013 UBCO Graduate Research Award
2011-14 Fine Arts Scholarship, Post Secondary Scholarship, Indspire
2012 UBCO Graduate Fellowship Award
2011 Fine Arts Graduate Student Bursary, Manitoba Arts Council
2010 Integrated Program for Arts Professionals: Travel Grant, Canada Council for the Arts
2010 Creation Production Visual Arts C Grant, Manitoba Arts Council
2009 Mentoring Artists for Women Art and Urban Shaman Gallery Mentorship
2009 Aboriginal Arts Mentorship Training and Development Award, Manitoba Arts Council
Public Art Commissions
2024 Ottawa Public Library; Artistic Collaboration, “To Heal, To Mend”
2024 Seven Oaks School Division Interpretive Sign Project
2021 The 8th and Final Fire, solo public art sculpture, The Forks, Winnipeg Foundation
2019 “Cyclical Motion: Indigenous Art and Placemaking,” Public Art Collaboration, U of M, MB
2018 “Nimama,” Public Art Collaboration, The Forks, MB
Selected Artwork in Exhibitions/Screenings/Residencies
Sept. 2024 “Nibi”, commissioned artist Nuit Blanche Winnipeg, Canadian Human Rights Museum
Sept. 2023 "Kookums Lounge,” featured artist, Nuit Blanche Winnipeg
Feb- 2023 “Brings to Light,” Solo exhibition, Gallery 1C03, Winnipeg, Manitoba
Jan.,2019 “Mothering Spaces,” The Ephemerals, Mitchell Art Gallery, Edmonton, Alberta
Sept.,2018 “The Ephemerals: Outpost,” The Ephemerals, Urban Shaman Gallery, MB
Sept.,2017 “Entering the Landscape,” The Ephemerals, Plug In Institute, MB
Sept, 2017 “Isolated Landscapes,” The Ephemerals, Video Pool, MB
Jan.2016 “Moving Images,” Gallery 1C03, MB
Dec 2016 “There is More Than One Way,” University of Manitoba School of Art Gallery, MB
July 2015 “Burning of an Effigy,” Videos de Femmes dans le parc program, QC
May 2015 “Burning of an Effigy”, film screening, Reflecting Light Film Festival, Winnipeg, MB;
Feb., 2015 “Moving Forward and Never Forgetting”, exhibition, McKenzie Art Gallery, SK
Sept., 2014 “Burning of an Effigy”, film screening/talk, WNDX Film Festival, Winnipeg, MB
July 2014 “memory awareness expectation”, Video Pool Media Arts Center, Platform Gallery, MB
Aug. 2014 Social Engagement Residency 2014, MoCNA, The Ephemerals Collective, Santa Fe, USA
July 2014 Plug In ICA Summer Institute 2014, The Ephemerals Collective, Winnipeg, MB
July- Aug., 2013 “Reconsidering Reconciliation” Artist Residency, CiCAC Thompson Rivers University
Aug.,2013 “Reconsidering Reconciliation”, Group Exhibition, TRU Gallery, Kamloops/FINA, Kelowna
June 2013 “Indigenous and Urban,” The Ephemerals, Canadian Museum of Civilization, Gatineau, QC
2011+ “Maiden Indian,” film, The Ephemerals, international screenings
Mentorships Provided
2020-2021 Mentoring Artists for Women’s Art, Mentorship for Mariana Munoz Gomez and helped to organize their Curatorial Residency funded by Manitoba Arts Council at the Winnipeg Art Gallery that produced the Gomez’s Transmissions exhibition/publication
2022-2023 First Peoples Cultural Council, Mentorship for Mel Granley, Art Gallery of Greater Victoria That produced co-curation of Symbiosis and Granley’s own Tender Touch exhibition
2024 Curatorial Mentorship for Natalie Rollins funded by the British Columbia Arts Council